tag:blogger.com,1999:blog-16179180671065227662024-03-18T10:47:45.787+01:00felicita sala illustrationfelicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.comBlogger197125tag:blogger.com,1999:blog-1617918067106522766.post-58717569433678054082019-12-12T11:14:00.001+01:002020-01-16T10:43:23.629+01:00New Shop<div dir="ltr" style="text-align: left;" trbidi="on">
I've finally reopened a shop online after closing my society 6 shop, so I could provide high quality prints also in limited edition, as well as original work. <a href="http://felicitasala.bigcartel.com/">Here it is</a>, and a preview of what's inside.<br />
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com69tag:blogger.com,1999:blog-1617918067106522766.post-25881209792051772542018-11-12T11:00:00.002+01:002018-11-12T11:01:40.769+01:00some news on Ode to an Onion<div dir="ltr" style="text-align: left;" trbidi="on">
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I've been a long time fan of the Chilean poet Pablo Neruda, especially of his Odas Elementales, or <a href="https://www.goodreads.com/book/show/44053.Odes_to_Common_Things">Odes to Common things.</a> When Cameron Books proposed this text to me, written by Alexandria Giardino, I couldn't believe my luck! </div>
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You can read more about the process of making this book in an interview on <a href="http://www.letstalkpicturebooks.com/2018/09/lets-talk-illustrators-83-felicita-sala.html">Let's Talk Picture Books</a>. Some more interior spreads are on <a href="https://www.felicitasala.com/picture-books-1/ODE-TO-AN-ONION-2018">my website</a>.<br />
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Ode to an Onion is also a Junior Library Guild selection. read more <a href="https://www.abramsbooks.com/product/ode-to-an-onion_9781944903343/">here</a>.<br />
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Last but not least: a review of Ode to an Onion (and other biographies) on <a href="https://www.nytimes.com/2018/11/09/books/review/alexandria-giardino-ode-to-an-onion-pablo-neruda.html">the New York Times.</a></div>
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And finally, this illustration from the book is part of the Society of Illustrators Exhibition in New York this year.</div>
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com79tag:blogger.com,1999:blog-1617918067106522766.post-81553027034864133232018-07-12T15:42:00.000+02:002018-07-12T15:42:51.032+02:00a cookbook as picture book<div dir="ltr" style="text-align: left;" trbidi="on">
Here it is, my first solo picture book: Au 10, Rue des Jardins, published by <a href="http://www.cambourakis.com/">Editions Cambourakis</a> earlier this year.<br />
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This project was born when I contacted this wonderful french publisher at the Bologna book fair in 2017. I'd been working on a lot of picture book biographies in the US and was curious to work on something for a completely different market, and with complete freedom. I asked him if he was interested in doing a book together. He was, and suggested I make my own book of recipes.<br />
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It has been the most difficult, laborious and ambitious project I've worked on so far. I didn't want to make a simple recipe book. I'm not a chef, barely a home cook. But I do love food, and I do love picture books about food. So I came up with the idea (perhaps not very original, but relevant, to me anyway), about exploring the kitchens of various people from different backgrounds, who happen to live in the same building, and who come together to celebrate at the end.<br />
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This is precisely what food and eating means to me, the act of feeding others, of being fed, of sharing what made us from the places that made us. the recipes are mostly old classics, not my own, that I adapted slightly. these are the things I cook for my family, or that are simple and comforting to make and eat with children.<br />
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But beware, this is not a 'kid's food' book. I believe in kids eating what we eat, and learning about food in the same way they learn about the world, with curiosity and wonder.<br />
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The book is available in online bookstores, in French, and an English and Italian coedition will make its way out in the coming months.<br />
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com23tag:blogger.com,1999:blog-1617918067106522766.post-68549271908366187922018-03-07T13:04:00.000+01:002018-03-08T11:34:50.255+01:00an interview for dpi magazine<div dir="ltr" style="text-align: left;" trbidi="on">
I recently had the pleasure of being featured in taiwan's DPI magazine, in what ended up being a 4 page interview/spread (!!) and where one of my illustrations <a href="http://buy.d-shop.com.tw/d-shop/dpi-publishing-good/product/1199-dpi2018_01_225.html">even made the front cover.</a><br />
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here is the interview in english. I hope my experience can encourage young illustrators, struggling in what is an overwhelming world of images.<br />
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<i>Dpi: You studied philosophy at university. How did you start your artistic journey and become an illustrator? When did you become interested in art? </i><br />
F: I have always been interested in art. My father had a natural talent in drawing which he never really explored, but he encouraged us to do so. My Honours thesis was in Aesthetics. I planned to move back to Italy after University and start another course of study at the academy of fine arts of Rome, but life took me elsewhere. I travelled for a few years and in that time I realized I didn't want to continue with academia, but I didn't know how it was possible to make art for a living. So I taught English for many years after moving back to Italy. It was here in Europe that I discovered picture book illustration was an art form, and it could also be a job. So I tried hard to get my work seen by publishers, for years, with little result. My style was immature and I needed to work harder to reach an identity that had meaning. I think it was thanks to my documenting those efforts on my blog over the years, that eventually publishers started to notice the work, and then my agent (Kirsten Hall of Catbird), thanks to whom I now work as an illustrator full time. It was an unplanned surprise in life, for me to be able to do this.<br />
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<i>Dpi: What's your drawing philosophy? </i><br />
F: I don't think I have a philosophy when it comes to drawing. It's very much an instinctive process. Perhaps the question means what makes a successful image for me. I think art is very much about coherence and beauty and that's what I try to obtain in the finished image. And by beauty I don't mean perfect and pretty pictures, but a balance of opposing forces: the dark, the crooked, the harmonious, the joyful. It's like the yin and yang I suppose, in Chinese culture. If one is absent, the whole is lacking somewhat.<br />
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<i>Dpi: You have been living in different countries. Can you share with us about your journeys? Did those journeys inspire your work? How? </i><br />
F: I think the main thing that translates to my work is the constant search for identity which comes from having grown up in two different cultures. We are composites of our lived experience and everything contributes to forming us as people, the good and the bad and the contradictory. For me the real journey was the artistic one: finding coherence between all those fragments. From Italy there is the element of my childhood, of origins and family and land. From Australia there is the element of adapting to a new identity, of language, of fitting in, of openness and wide natural spaces. From Europe in general there is the element of history, of the layers of old and new that coexist here: of folk art, of music, of faith, of a long tradition of art which permeates children's book illustration all across the continent, which has had a tremendous influence on me.<br />
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<i>Dpi: Among all of your works, which part is the most challenging ever to you? </i><br />
F: The most challenging part of my work as an illustrator is the white page. The very beginning of the creation of an image is like a birth, and no birth is without sweat and tears. Some images are born more easily than others, but some require a more arduous process of trial and error and must be reflected upon and destroyed various times before they feel right.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuGJvImzifbrTctBb08GrxN2s7uvIWjqYT_zi67riGYWsFprMTeqOb1Hw4jWUKdaAAUbH7hM1m2LxbfDi_2i9YAc1FYkSo0RdyNlp0umpijDDOhWMinVblUWrLnytS50jJe-Ql3TlMGohV/s1600/3+dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="529" data-original-width="768" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuGJvImzifbrTctBb08GrxN2s7uvIWjqYT_zi67riGYWsFprMTeqOb1Hw4jWUKdaAAUbH7hM1m2LxbfDi_2i9YAc1FYkSo0RdyNlp0umpijDDOhWMinVblUWrLnytS50jJe-Ql3TlMGohV/s1600/3+dpi.jpg" /></a></div>
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<i>Dpi: I feel very intimate and a little bit melancholy (in a good way) when looking at your work. Can you describe your illustrative approach and style? </i><br />
F: Many people have said this about my work, that it is melancholic or nostalgic. I think it relates to the question of identity from before. We bring our identity in the work, which is our life fragments, and there is always in my identity as an illustrator a nostalgia for the past.<br />
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<i>Dpi: I am curious about your creative process. Can you talk about it? How do you start the process of making work? </i><br />
F: My work today is mainly making picture books, which is different from the work of a painter or an artist, who creates for the sake of creating, as a pure expression of self. Illustration is closer to a craft. The heart of the work is to tell a story which is instrinsically linked to a written story, but which must also enrich it and go beyond it. This is the hardest part of making a picture book: speaking beyond the written text. I start by reading the story many times and reflecting on each part until I get a mental image of how to best illustrate the concept in a way that is not didactic or banal. Then there are a series of sketches which are created, and once both illustrator and publisher are happy, I proceed to the finished image. This is the most fun, where texture and light and playfulness will emerge with the use of colour.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZHYlzjSahr-_mZi-L1jpid1Lq1aprTwjgg9zU5Z6c6SF-H0JYAtPFebHsKwZWGSj0ka4pxFXA2vKL_byuToouGpUKc53r-UWj2CG47GmhkbeOxSVMe_f2wkmluVgD2ONyeRgXTJmVnGVa/s1600/4+dpi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="524" data-original-width="768" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZHYlzjSahr-_mZi-L1jpid1Lq1aprTwjgg9zU5Z6c6SF-H0JYAtPFebHsKwZWGSj0ka4pxFXA2vKL_byuToouGpUKc53r-UWj2CG47GmhkbeOxSVMe_f2wkmluVgD2ONyeRgXTJmVnGVa/s1600/4+dpi.jpg" /></a></div>
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<i>Dpi: What are some major influences on your work? Who inspired you? </i><br />
F: byzantine iconography, modern artists such as Picasso, Klee, Schiele, then Twombly, Chagall, Hundertwasser. But aslo music: Yiddish songs and flamenco and folk from all around the world. I have a huge debt with 1960s illustration, particularly the work of Miroslav Sasek, Alice and Martin Provensen, and with the Czech painter Štěpán Zavřel who made magical worlds for children. I am also constantly inspired by writers for children who are perfectly in tune with the inner workings of the child: Gianni Rodari and Astrid Lindgren to name a few.<br />
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<i>Dpi: What would you like to do next? </i><br />
F: I would like to write my own stories one day, but my standards are very high and I have not yet matured as a children's writer, which is one of the hardest jobs to do. perhaps it will happen when I am 80, perhaps never! I certainly hope to be able to do this job for a long time, and to do it better and with honesty.
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com13tag:blogger.com,1999:blog-1617918067106522766.post-13906723066286029032017-05-22T21:52:00.002+02:002017-05-22T21:52:50.593+02:00character studies<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpQtvdJX7MuTusipFAIaDVRWCzuZiBXhOKBoMoGaGbzeCRqEPYOXP27Mnp7mKxCdsWSD0rPCaXRHbPQXi1nOFnYAQike6P0W79UqC4mqHt_ARo8glT-4KWe4maic_Ugp6S8QxQESpMu_YS/s1600/children+colorsketchlow.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpQtvdJX7MuTusipFAIaDVRWCzuZiBXhOKBoMoGaGbzeCRqEPYOXP27Mnp7mKxCdsWSD0rPCaXRHbPQXi1nOFnYAQike6P0W79UqC4mqHt_ARo8glT-4KWe4maic_Ugp6S8QxQESpMu_YS/s1600/children+colorsketchlow.jpg" /></a></div>
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com42tag:blogger.com,1999:blog-1617918067106522766.post-3051880797844066502017-03-31T10:11:00.000+02:002017-03-31T10:11:42.256+02:00I don't draw, a book.<div dir="ltr" style="text-align: left;" trbidi="on">
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My latest book came out last week, written by Adam Lehrhaupt, published by Simon & Shuster. I'd like to tell you a little bit about the making of this book!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLx9HCxh8h8-4xIbIAB0Ht_PwA2SvlDI2m8iwwpBstJ8CIvh3gcLeQlbzydGktx4b4Z6kcvdcL0qyvVjcmZUoQwb54b6mwigCIMVx0APsiKthSyYfd4IP6ki0VpxS0X9sJ-_XhY5YLvUxj/s1600/idontdraw.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLx9HCxh8h8-4xIbIAB0Ht_PwA2SvlDI2m8iwwpBstJ8CIvh3gcLeQlbzydGktx4b4Z6kcvdcL0qyvVjcmZUoQwb54b6mwigCIMVx0APsiKthSyYfd4IP6ki0VpxS0X9sJ-_XhY5YLvUxj/s1600/idontdraw.jpg" /></a></div>
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The whole project came about when my wonderful agent <a href="http://catbirdagency.com/">Kirsten Hall</a> saw something in one of my sketchbooks from a few years ago.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRvUwtKQtkWtJ04SNIqtdWwo1jf3e0jeh8q5MxD-ROuz0zA8aWOXCymi2S3uloAOMrX6E2oIaJtn5t-7UrgKfoRZXWx1CyQPsPFN2kpdYU33nbvgeV5xxmvhRQDWaMwAEejoj9WBrE0IMG/s1600/orange+web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRvUwtKQtkWtJ04SNIqtdWwo1jf3e0jeh8q5MxD-ROuz0zA8aWOXCymi2S3uloAOMrX6E2oIaJtn5t-7UrgKfoRZXWx1CyQPsPFN2kpdYU33nbvgeV5xxmvhRQDWaMwAEejoj9WBrE0IMG/s1600/orange+web.jpg" /></a></div>
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She said, let's do a book about colours! It was after much brainstorming and experimenting that a story was created by <a href="http://adamlehrhaupt.com/">Adam Lehrhaupt</a> through the publisher. I was really excited about working on this book. the abstract representation of colour and emotion and the conceptual side of the book really fascinated me.<br />
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Here are some of the spreads. I had pictured some of them as a continuous image, possibly a fold out page. There was a huge amount of experimenting with how the colour spreads eventually turned out. I had to convey a powerful emotion through one colour, and at the same time I needed to 'unlearn' how to draw.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3FhK1lpUtmr-WU1E6SPx_WztOnwdkTC_-Lhym3Vn5z1hBW01hXx9utI4awVLk76UG_VPlsPCltYbdURXYGvKJeuIvU3ncGArqNUT9ILYupUP4Xbi84kwCKJBcTQKUtkW7Xy3Hnr27B2St/s1600/longspreads.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3FhK1lpUtmr-WU1E6SPx_WztOnwdkTC_-Lhym3Vn5z1hBW01hXx9utI4awVLk76UG_VPlsPCltYbdURXYGvKJeuIvU3ncGArqNUT9ILYupUP4Xbi84kwCKJBcTQKUtkW7Xy3Hnr27B2St/s1600/longspreads.jpg" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHLEPTTkPoUOnPpD9h6efw3oPFwo1siDTx-DmM71T8-6tCNAiNUchJ9iQ8oHXvr8b4oTerI94HJujUUsNnpodmMjMjF3tS1k2ymkvIQ82zFJRAkeadDaMOGRqBUkMnkIXg05SZAAk4-mi0/s1600/spreads.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHLEPTTkPoUOnPpD9h6efw3oPFwo1siDTx-DmM71T8-6tCNAiNUchJ9iQ8oHXvr8b4oTerI94HJujUUsNnpodmMjMjF3tS1k2ymkvIQ82zFJRAkeadDaMOGRqBUkMnkIXg05SZAAk4-mi0/s1600/spreads.jpg" /></a></div>
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the most difficult part about making this book was, believe it or not, drawing as a kid would draw.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iUZolJBxW7qsROU6LigiDzwHq6Y6aMNFbi6XLYqhlEUH3BqpcnWt6V8LuDpvp_VJEDptWhS4jepfQLmnyObfWb_0Zl84oXVn2C51RJ6qrL8gO9B2PkUNKV6yU7PlxJwtuNQElHoniUcP/s1600/kid+drawing+low.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iUZolJBxW7qsROU6LigiDzwHq6Y6aMNFbi6XLYqhlEUH3BqpcnWt6V8LuDpvp_VJEDptWhS4jepfQLmnyObfWb_0Zl84oXVn2C51RJ6qrL8gO9B2PkUNKV6yU7PlxJwtuNQElHoniUcP/s1600/kid+drawing+low.jpg" /></a></div>
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here are some more spreads from inside the book:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGrgU9-49ufMogakjpYIaBNQUUTva0KA2BCJz8B4yristDC9ZCvw-bHKOk1HVYz584k9QX5vfmkzbQlB7ckDC-oYri5BIbWwPYOTHW_laNbFV_NzQxpZgUvqBSyAlKz633jCrRKxlvqNm6/s1600/happy+sad+web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGrgU9-49ufMogakjpYIaBNQUUTva0KA2BCJz8B4yristDC9ZCvw-bHKOk1HVYz584k9QX5vfmkzbQlB7ckDC-oYri5BIbWwPYOTHW_laNbFV_NzQxpZgUvqBSyAlKz633jCrRKxlvqNm6/s1600/happy+sad+web.jpg" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_aFfkiX841064cicc4Tz1z8i0GmrmHHWDJV85kszEUKLwZiU12WaJo50m23XslVn8kDPh6Uo3cMWS64vq5LLUq7qFn-dz6xtUSyPAkkzvc6pc0qA9Q2u4LzNiQZoRVrY90XRYjEY78Y1/s1600/scary+web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw_aFfkiX841064cicc4Tz1z8i0GmrmHHWDJV85kszEUKLwZiU12WaJo50m23XslVn8kDPh6Uo3cMWS64vq5LLUq7qFn-dz6xtUSyPAkkzvc6pc0qA9Q2u4LzNiQZoRVrY90XRYjEY78Y1/s1600/scary+web.jpg" /></a></div>
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and here are some character development sketches and some of the ideas for the cover. The title of the book was originally going to be simply 'I don't draw'.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgte0_8xkM-wyPYtOZ5rbBSaGdJLfcNm0k-h_Ltnq7bzsc-tzAZk1LHwrcr5m9_EDWH8wYFsoyLgZfZJpm7LmFJaQaqQ5tTEx8hycBH0529G8TQwsFRWeWPsPQjimBZ2JkiIx51dYFsgUv0/s1600/i+dont+draw+character+testsweb.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgte0_8xkM-wyPYtOZ5rbBSaGdJLfcNm0k-h_Ltnq7bzsc-tzAZk1LHwrcr5m9_EDWH8wYFsoyLgZfZJpm7LmFJaQaqQ5tTEx8hycBH0529G8TQwsFRWeWPsPQjimBZ2JkiIx51dYFsgUv0/s1600/i+dont+draw+character+testsweb.jpg" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0NuGB4tDlt9llfgK381q8lRgbtk87zOgwlMriRE0T9AlonIrYdNuI96zdy02fQ1nGM3JZt6jCtCo_LWBT5xTtmJcIeOSnVG1gcaHmagwtMrglfUKDs0dNbZ-e4p0DgjAHnsqw2HzEhR8W/s1600/idontdraw+cover+ideas+web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0NuGB4tDlt9llfgK381q8lRgbtk87zOgwlMriRE0T9AlonIrYdNuI96zdy02fQ1nGM3JZt6jCtCo_LWBT5xTtmJcIeOSnVG1gcaHmagwtMrglfUKDs0dNbZ-e4p0DgjAHnsqw2HzEhR8W/s1600/idontdraw+cover+ideas+web.jpg" /></a></div>
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finally, I want to post this image from the second last spread of the book. I had imagined the boy, who is represented in black and white from the beginning of the story, to undergo a transformation, an explosion of colour, a cathartic moment where he becomes all-colourful.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQGuVogk70hwhWeBvm0sKp-d7-XeelEh0-_mQwtgRqC9EjAHfyop1kfWw9kfqVtsgLsKxqY5F5InMri4VFgRdFG0FSeECr24TRtX7yFlSN_BcvR0gqg85AIg9wwtrhcAxt4ougdMKaumVy/s1600/original+transform+low.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQGuVogk70hwhWeBvm0sKp-d7-XeelEh0-_mQwtgRqC9EjAHfyop1kfWw9kfqVtsgLsKxqY5F5InMri4VFgRdFG0FSeECr24TRtX7yFlSN_BcvR0gqg85AIg9wwtrhcAxt4ougdMKaumVy/s1600/original+transform+low.jpg" /></a></div>
this image was thought to be too conceptual, and potentially too 'explosive' for the US market, and so was substituted with this one:
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjewqbij5Ny4jjlgJ2UpZqj2fiq4q7Lv-3uIkarM2IIBnH_GBDBv46Kp9fyRFVIiNJN-Ft7VnDBxNCoiWxN8_Ek8Wregipg7FzjNlHT_61dBDuQnJGoeQSbRKJRWRjMu2KFn7kvCeoEY13v/s1600/final+transform+low.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjewqbij5Ny4jjlgJ2UpZqj2fiq4q7Lv-3uIkarM2IIBnH_GBDBv46Kp9fyRFVIiNJN-Ft7VnDBxNCoiWxN8_Ek8Wregipg7FzjNlHT_61dBDuQnJGoeQSbRKJRWRjMu2KFn7kvCeoEY13v/s1600/final+transform+low.jpg" /></a></div>
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which is less powerful, but still works. The image of the exploding boy is important for me. I fought for it to be kept in the book, because I believe children are the first ones who can teach us an (unspoken) lesson about conceptual understanding. I believe children should be surprised, and stimulated to wonder. The publisher was very understanding, but in the end had to make a different choice. In the making of this book I found myself struggling to understand the dynamics of the US picture book market, compared to the European one, where it seems that everything is allowed.<br />
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It was a lesson in making compromises and learning to trust the publisher. There are things that I would have done differently, but in the end, a book is always the result of a group effort, and I am grateful to have been part of this group and to have produced this wonderful picture book.<br />
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Overall this is a great story that I think many children will identify with (including my own!), and a great way to talk to little ones about emotions. </div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com14tag:blogger.com,1999:blog-1617918067106522766.post-43199318247627410482017-03-02T13:55:00.000+01:002017-03-02T13:55:04.777+01:00grandpa's white hair, a book.<div dir="ltr" style="text-align: left;" trbidi="on">
the wait is over! finally, my book with Mauro Scarpa published by <a href="http://www.zoolibri.com/">Zoolibri</a> is out. It's my first Italian picture book. When the publisher sent me this story i knew immediately that i wanted to illustrate it. It's pure poetry, pure simplicity. It was a pleasure to make.<br />
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Here are some of the spreads from the book.<br />
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com27tag:blogger.com,1999:blog-1617918067106522766.post-87454208833444254272017-02-23T12:01:00.000+01:002017-02-23T12:01:24.836+01:00recherche<div dir="ltr" style="text-align: left;" trbidi="on">
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com18tag:blogger.com,1999:blog-1617918067106522766.post-87423003748576031112017-01-20T09:13:00.000+01:002017-01-20T09:13:53.310+01:00walk in the woods<div dir="ltr" style="text-align: left;" trbidi="on">
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back from two months spent in australia seeing family, basking in the sun and wind, not wanting to leave.<br />
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back to my desk in rome, planning the next two books or maybe three, thankful for the cold weather to clear the mind a little.<br />
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I am not here often, but you can follow along on <a href="https://www.instagram.com/felicita.sala/">i</a><a href="https://www.instagram.com/felicita.sala/">nstagram</a>.</div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com4tag:blogger.com,1999:blog-1617918067106522766.post-59230841562658460082016-11-03T11:14:00.002+01:002016-11-03T11:14:35.845+01:00pasta italiana<div dir="ltr" style="text-align: left;" trbidi="on">
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made a new pasta illustration. It's available as a print <a href="https://society6.com/product/pasta-italiana-4h4_print#s6-8113746p4a1v45">here!</a>felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com44tag:blogger.com,1999:blog-1617918067106522766.post-15694751018979579922016-10-25T09:41:00.001+02:002016-10-25T09:41:40.883+02:00a girl and a lizard<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirat_xolu1-uu3zWfeI1P8CwZPsl36pjZDT8vcCrqRkeEmcBI1snrzS5mYji1dJkwL3D5cjOsg3B7vhzSvXDQ8DPG-A7IMqJU9bPj7gdiSDnEL12HRxHmnVBwbSYglYAaTLWf4hZKxsF1Y/s1600/jp+desk.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirat_xolu1-uu3zWfeI1P8CwZPsl36pjZDT8vcCrqRkeEmcBI1snrzS5mYji1dJkwL3D5cjOsg3B7vhzSvXDQ8DPG-A7IMqJU9bPj7gdiSDnEL12HRxHmnVBwbSYglYAaTLWf4hZKxsF1Y/s1600/jp+desk.jpg" /></a></div>
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a little peek into what i'm working on at the moment! this book still has a long journey to make til it sees the light of day. it's been interesting working out of my comfort zone with all these reptiles. </div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com12tag:blogger.com,1999:blog-1617918067106522766.post-48133349987825371162016-10-11T12:23:00.000+02:002016-10-11T14:33:23.400+02:00mother jones, a book.<div dir="ltr" style="text-align: left;" trbidi="on">
last year I worked on a historical book about mother jones and the march for working children's rights. Written by Monica Kulling, It has recently come out with Kids Can Press.<br />
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Here are some spreads and sketches from the book!<br />
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com24tag:blogger.com,1999:blog-1617918067106522766.post-42729229733350584042016-08-19T16:12:00.000+02:002016-08-19T16:12:05.110+02:00vacances<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://www.youtube.com/watch?v=kNa0vsYkFZE">this</a> song,<br />
<a href="http://www.goodreads.com/book/show/18143977-all-the-light-we-cannot-see">this</a> book.</div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com13tag:blogger.com,1999:blog-1617918067106522766.post-15586410227328356552016-06-09T09:59:00.000+02:002016-06-09T09:59:49.883+02:00dontshare animation<div dir="ltr" style="text-align: left;" trbidi="on">
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a couple of still frames from the animated paper cut video <a href="http://gianlucamaruotti.com/">Gianluca</a> and I made for the recently launched Dontshare, a life deposit box where you can leave a piece of yourself before you leave for good.
this one is a promo image i also made for the launch.
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you can see the full animation on the <a href="https://www.dontshare.it/?lang=en">dontshare website.</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW5m-zU214ztT0MVZb0ld3UzT-I-FEMJ17qNil0jxL8L3RkQQ2fVcqoAx8B2FA6lsUAUEylEfw1emC3Z0LatkSoPoUWLhXr4abwdTQfnhOGGkdf9togHJUft8QqIdGeE0N93KMztTv6_LX/s1600/garibaldi%2527s+boat.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW5m-zU214ztT0MVZb0ld3UzT-I-FEMJ17qNil0jxL8L3RkQQ2fVcqoAx8B2FA6lsUAUEylEfw1emC3Z0LatkSoPoUWLhXr4abwdTQfnhOGGkdf9togHJUft8QqIdGeE0N93KMztTv6_LX/s1600/garibaldi%2527s+boat.jpg" /></a></div>
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com70tag:blogger.com,1999:blog-1617918067106522766.post-57011332904794680762016-05-10T15:19:00.002+02:002016-05-10T15:20:24.317+02:00new work<div dir="ltr" style="text-align: left;" trbidi="on">
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here's the first of a new series of paintings and illustrations i am preparing for an exhibition later this year. very weird but nice to be painting on big spaces again after a long time. will keep you posted.<br />
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'vegetation', acrylics on canvas, 60x80cm</div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com6tag:blogger.com,1999:blog-1617918067106522766.post-66662722400296734742016-05-04T16:31:00.001+02:002016-05-04T16:31:32.321+02:00a little preview of the next book<div dir="ltr" style="text-align: left;" trbidi="on">
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a little preview of the work behind the book I made last year for <a href="http://www.kidscanpress.com/">Kids Can Press</a>. It's about political activist and freer of child workers Mother Jones. It comes out in September!</div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com4tag:blogger.com,1999:blog-1617918067106522766.post-22435105827621556102016-04-01T12:12:00.000+02:002016-04-07T21:06:42.460+02:00a book, a book fair.<div dir="ltr" style="text-align: left;" trbidi="on">
a little sneakpeek of an illustration from my new book with <a href="http://zoolibri.com/">Zoolibri</a>, coming out this year. I can't wait to show you more, it was a beautifully simple, poetic text and a real wonder to illustrate.
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I'm off to the Bologna Book Fair, always a wonderful adventure.<br />
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.comtag:blogger.com,1999:blog-1617918067106522766.post-61634980163808248652016-03-22T16:26:00.000+01:002016-03-22T16:26:30.700+01:00sketchbook<div dir="ltr" style="text-align: left;" trbidi="on">
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playing with pencils, watercolours and straight inks. also practicing hiragana, just for fun.felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.comtag:blogger.com,1999:blog-1617918067106522766.post-48171551432539794552016-03-21T12:35:00.004+01:002016-03-21T12:35:58.286+01:00animation backgrounds<div dir="ltr" style="text-align: left;" trbidi="on">
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just a few of the hundreds of drawings i made as backgrounds for a series of animations made as a collaboration with <a href="http://mosaicfilms.com/">mosaic films</a> before christmas. more about that soon.felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.comtag:blogger.com,1999:blog-1617918067106522766.post-23207838042024932002016-03-14T11:28:00.000+01:002016-03-14T11:28:04.555+01:00good food for corriere della sera<div dir="ltr" style="text-align: left;" trbidi="on">
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three illustrations I did for last friday's <a href="http://www.corriere.it/">Corriere della Sera</a>. they publicize the foodie event <a href="http://ciboaregoladarte.corriere.it/">cibo a regola d'arte</a> which tool place last weekend in Milan. felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.comtag:blogger.com,1999:blog-1617918067106522766.post-85333270518293109052016-02-14T14:55:00.000+01:002016-02-14T14:55:07.879+01:00hide<div dir="ltr" style="text-align: left;" trbidi="on">
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and seek.</div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.comtag:blogger.com,1999:blog-1617918067106522766.post-3408609760329648542015-12-30T15:02:00.001+01:002015-12-31T10:35:25.577+01:00the jewish ghetto of venice: animations<div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe allowfullscreen="" frameborder="0" height="432" mozallowfullscreen="" src="https://player.vimeo.com/video/150335611" webkitallowfullscreen="" width="768"></iframe><br />
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here is a teaser of the animations I worked on with <a href="http://www.amopix.com/">Amopix</a> and <a href="http://tangramfilm.it/">Tangram film</a> as part of the documentary: "500 years of the Ghetto of Venice". The documentary tells the story of the history of the first Jewish Ghetto in the world.
you can see the full length animation extracts from the documentary <a href="https://vimeo.com/150288093">here</a>. <br />
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com15tag:blogger.com,1999:blog-1617918067106522766.post-61052726914300135192015-12-21T17:14:00.001+01:002015-12-21T17:14:33.510+01:00mary and child<div dir="ltr" style="text-align: left;" trbidi="on">
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may it be a blessed christmas. felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com13tag:blogger.com,1999:blog-1617918067106522766.post-63554204673168718552015-12-16T14:38:00.000+01:002015-12-16T14:38:58.008+01:00Crescendo, a new book<div dir="ltr" style="text-align: left;" trbidi="on">
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I finally have some time to share my new book with you! It's a story written by my dear friend <a href="http://www.topipittori.it/it/autore/susanna-mattiangeli">Susanna</a>, based on an idea for a book that i had started working on about 5 years ago.<br />
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I'd come up with an idea about a town where music ceased to exist, and a little boy helped bring it back. I didn't know how to develop the story or find an ending for it, so I asked Susanna for help. I had already made about 5 illustrations, and we took the opposite route. She wrote a beautiful story based on the initial concept, but adding an unexpected twist: the boy is deaf.<br />
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After many turmoils (uninterested publishers, a doubtful and lazy illustrator, the finally giving up and leaving the book to gather dust in an abandoned drawer), I am happy to announce that Crescendo has seen the light of day. there are already books out there with my name on it, but I can say that this is really my first, as it goes back to the very beginning of my life as an illustrator.<br />
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The title is a play on the musical term which comes from the italian word 'growing'. an apt term in every way.<br />
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Susanna has dedicated the story to the <a href="https://www.youtube.com/watch?v=M0hpiCKI7pQ">Manos Blancas</a> project, an initiative born in Venezuela to bring music to children who are cognitively or hearing impaired.<br />
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The book was published in Spain by <a href="http://www.lafragatina.com/es/catalogo">La Fragatina</a>, you can find it online in Spanish and Italian. </div>
felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com34tag:blogger.com,1999:blog-1617918067106522766.post-68424710631258841322015-11-19T10:35:00.000+01:002015-11-19T10:35:01.518+01:00new website<div dir="ltr" style="text-align: left;" trbidi="on">
my new and improved <a href="http://www.felicitasala.com/">website</a> is up with lots of new content! including a preview of my new book Crescendo, which i'll share more of soon.<br />
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felicitahttp://www.blogger.com/profile/14084367189372383214noreply@blogger.com8